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	<title>The Sando Presents</title>
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	<itunes:subtitle>A Swell guy</itunes:subtitle>
	<itunes:summary>Comedy, radio plays and amusing interviews from Nic Sando</itunes:summary>
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		<title>So so sorry</title>
		<link>http://thesando.com/2010/06/so-so-sorry/</link>
		<comments>http://thesando.com/2010/06/so-so-sorry/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 07:58:00 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[telecom 3g]]></category>

		<guid isPermaLink="false">http://thesando.com/2010/06/so-so-sorry/</guid>
		<description><![CDATA[&#8220;Hi there, I&#8217;m Paul Reynolds and I&#8217;m fishing. Fishing because it&#8217;s as kiwi as you can get and I am a foreigner. Here&#8217;s a compliment about being scared of your reactions, even though I know your country is a cowardly lot. Here&#8217;s a statement about how I can see that you are frustrated over the [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Hi there, I&#8217;m Paul Reynolds and I&#8217;m fishing. Fishing because it&#8217;s as kiwi as you can get and I am a foreigner. Here&#8217;s a compliment about being scared of your reactions, even though I know your country is a cowardly lot. Here&#8217;s a statement about how I can see that you are frustrated over the entire XT debacle. Now for a joke about my phone not working, see? In conclusion, use our service, because fuck you kid.&#8221; </p>
<p>This add was brought to you by the same agency that gave you &#8220;I&#8217;m sorry that you have stopped buying ribena because we were lying to you.&#8221; and Fontera&#8217;s media black out over &#8220;********** in ****&#8221;</p>
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		<title>A Maori ate TJ&#8217;s Great Granddad.</title>
		<link>http://thesando.com/2010/05/a-maori-ate-tjs-great-granddad/</link>
		<comments>http://thesando.com/2010/05/a-maori-ate-tjs-great-granddad/#comments</comments>
		<pubDate>Tue, 11 May 2010 04:48:18 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[comedy secrets]]></category>
		<category><![CDATA[New Zealand International Comedy Festival]]></category>
		<category><![CDATA[Salient]]></category>
		<category><![CDATA[TJ McDonald]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=323</guid>
		<description><![CDATA[In April I did an interview for Salient with 2010 Billy T. nominee TJ McDonald. The thing  didn&#8217;t actually end up getting published, but it still was a a pretty good little chat.  It&#8217;s too bad I don&#8217;t have a place on the internet to place it&#8230; Oh wait. Check it out, it&#8217;s behind the [...]]]></description>
			<content:encoded><![CDATA[<p><strong><img class="alignright" src="http://img.scoop.co.nz/stories/images/0911/8285bf9466917ab9c725.jpeg" alt="TJ McDonalds Glasses tell me he is a time traveler. " width="144" height="140" />In April </strong>I did an interview for Salient with 2010 Billy T. nominee TJ McDonald. The thing  didn&#8217;t actually end up getting published, but it still was a a pretty good little chat.  It&#8217;s too bad I don&#8217;t have a place on the internet to place it&#8230; Oh wait. Check it out, it&#8217;s behind the cut.</p>
<div id="_mcePaste"><span style="font-weight: normal;"><strong><span style="font-weight: normal;"><span id="more-323"></span><br />
</span></p>
<p><span style="font-weight: normal;">Comedian TJ McDonald is the only 2010 Billy T. Award nominee from our fair city of Wellington, but already he is a local comic hero, with his name bandied about in the same sentences as Dai Henwood and Blanket Man.   A member of  a canonically amusing family, his aunt is Ginette McDonald aka Lynn of Tawa, it seems likely, biologically speaking, that TJ&#8217;s  solo show A Maori Ate My Great-Granddad, may win him our greatest comedy award.  The Victoria University drop out sat to chat with obese Salienteer Nic Sando, while they beveraged in the courtyard of Midnight Esspresso. It&#8217;s a cafe that serves coffee.</span></p>
<p><span style="font-weight: normal;"><strong> </strong></span></p>
<p></strong><strong><strong>TJ</strong></strong></p>
<p><strong><strong> </strong><span style="font-weight: normal;">A Maori Ate My Great-Grandad. It’s a bit of a Family History Show, as long as I have been alive my dad, my uncles, have told me stories, some of them are utterly ridiculous and as far as I know they are all true. They’re freaking hilarious and make for good comedy.</span></strong></p>
<p><strong>SANDO</strong></p>
<p><strong><span style="font-weight: normal;">Your family has been here a while.</span></strong></p>
<p><strong>TJ</p>
<p><span style="font-weight: normal;"> Six generations, on dads side, only three on my mums.</span></p>
<p><span style="font-weight: normal;"> </span>Sando</p>
<p><span style="font-weight: normal;">You can’t fault your mums side for lagging behind.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I’ve got to stop harbouring this resentment.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">This seems a theatrical oration as opposed to “just” stand up.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, I think that. No one just does a show that is straight stand up. When you sit down for an hour you’ve  got to have a narrative, and things that a person can follow when they are watching. There are some comedians who do joke after joke after joke, but when a person walks away from shows they really liked, they remember ideas and moments, probably more than individual punch lines no matter how hard they laugh at the time. I would hope that the people who come to my show will enjoy all the jokes, but also go away remembering the time my granddad got drunk in world war two, or his brother in law died in a mental institution.  These are funny moments for me.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Ahh family issues of schizophrenic.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">(laughs)</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">A strong history of mental illness is something that comes through the show.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">There&#8217;s a bit of mental illness in all New Zealand families, really.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">T.J</span><span style="font-weight: normal;">.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">It’s just you and me, the two of us are dragging the population down.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Building on building something of length. You seem to have been taken with Toby Hadoke’s Doctor Who show.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I really enjoyed seeing that show, i guess if i had one criticism is that it didn’t have enough jokes for me. It’s not to say that it wasn’t an amazing beautiful story that he took you on, but that’s the balance you’ve got to have with a comedy show. You’ve got to keep people laughing the whole way through. I’m really proud of my show at this point, I previewed it at the Dunedin Fringe Festival, and I did a preview show in Wellington on Wednesday. It’s been fantastic, the audience feedback has been positive. When I see a show that isn’t just a line up show of stand up comedy, I want something more. I want to feel like the experience is worthwhile, and that’s something I feel comes through on the show.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Looking at your place in the greater comedy community of New Zealand you’ve anchored yourself with some great people including Billy T.. award winners/nominees, people who are on “the telly”, etc. Have these or how have projects- Word on the Street, the Lemon Barley Trio, Newtown Ghetto Anger; changed the way you’re creating comedy? Has it furthered your handle on comedy, even in a technical sense.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I&#8230; don’t know how to answer that. You kind of blind sided me. Yes and no, there are various things that stage performance have in common.  It’s not to say that I haven’t enjoyed those collaborative works, but I do enjoy solo stand up comedy more because you have that much more independent creative control. The one commandment of comedy is to be funny and no matter how you do that, if you make them laugh you’re doing your job. When we are doing, say the Lemon Barley Trio [McDonald and Jerome Chandrahausen] which is a parody of beat poetry, maybe artistically I don’t enjoy it as much as solo stuff but it gets the job done, the audience is having a good time they are laughing, you’ve done your job as a comedian. A play that’s funny, or sketches or video stuff, you know what ever, just make them laugh.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">(pause)</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">The more you’re gigging, the more you’re up there, the more experience you’re going to get. There are some fairly substantial differences between stand up and theatre, and even with sketches on stage in terms of comedy basics of writing gags, jokes, structuring sets, it doesn’t pay over much that way. It definitely helps in terms of getting more confidence I guess. Next question. *Chuckle*</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>SANDO</p>
<p><span style="font-weight: normal;">You’re known as one of the most erudite comedians in New Zealand, “the thinking mans nerd.”</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I get told that, one of the lines that keeps cropping up in reviews is ‘T.J. writes intelligent comedy’ but I never thought of it like that. When you do comedy, when you do stand up the trick is to write what makes you laugh. You don’t say, lets make a joke about how awful Wellington’s bus drivers are, unless you genuinely believe that that’s funny, then you put it out there. The fact that I do political comedy or jokes about evolution is because I read a book or newspaper and start cracking up at a thought and have to convince people that it’s funny. And that’s where the work of stand up comedy lies, it’s taking an audience who might not agree with you on the street and showing them over the course of the show that actually, yes it’s quite a funny idea.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>SANDO</p>
<p><span style="font-weight: normal;">You’re quite capable of exering a fair bit of control over the audience.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, much of that is handed to you. You’re in a darkened room the lights are on you, everyone is facing you, they paid money to come and see you and a loud booming voice says clap for this man as he walks on the stage. All the cards are in your failure. You have to be pretty bad to drop them in that scenario.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>SANDO</p>
<p><span style="font-weight: normal;">Speaking dropping the cards, hell gig story. Now. (I stole this term  from <a href="http://behindthebricks.com">Behind the Bricks</a> it&#8217;s an awesome little comedy podcast. -NS)</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Fine. It was 2004, I’d just come second in the rookie compitition at the San Fran[sico bath house] or the Indigo as it was known at the time. I got asked to do this gig out at the Hutt at this bar called The Lonely Goat Herd, and I knew it would be bad when I walked in and all the windows had been replaced by black rubbish bags. Apparently they got smashed in so often that they didn’t bother to replace them. The gig was called “Kiwi Comedy Idol. It was just awful. I was up against this Hutt local whose stage name was “Dwayne Pipe” and what he had was this length of pipe, like plumbers pipe that he would talk jokes through. His closing finale was an impersonation of Darth Vader, literally just saying some things Vader said through a hose pipe. Luckily for him out of the six people in the audience, five of them were his immediate family. He just crushed me. When I got up there and said ‘hey, do you guys want to talk about the difference between Scientology and Christian science’ they said ‘nope.’ There were three guys in the back, all with moustaches and balding heads, all named Bruce. All of them. It was ridiculous. *sigh*</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Billy T. Stuff, you’re a Billy T. nominee. Going up against Vaughn King, Clayton Carrick Lesley, Jared Fell, Rhys Mathewson. THe important thing is the Auckland season.</span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">That’s right, we all perform  on the third week of the Auckland season, the 11th to 15th of May give or take. Then a gig at sky city. Where the winners are announced.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">You’ve played sky city before.</span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I did the Christmas Comedy Gala, last year. It was an awful lot of fun.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">It’s a good show case, for kiwis and internationals.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">TJ</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">That’s right, there are a bunch of internationals that I can personally vouch for, Jarleth Reagan from Ireland Zoe Lyons from the Uk are two that are just freaking hilarious.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Josey Long?</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">She’s just fantastic. She ate dinner at my house, lovely girl. She’s been doing the rounds of the British panel shows at the moment.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">She is always a pleasure on Never Mind the Buzzcocks.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yes, but how is that show going to survive without Simon Anstel, that’s the question&#8230; Let’s not let this interview spill into references to obscure British programming.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">So, the Billys.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">There are five of us competing, I’m the only one from Wellington the other four are from Auckland. It’s pretty much based about the solo show, only sixty minutes. It has to be abrand new show, a show that hasn’t been in the comedy festival before.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">And you’ll be going up against a bunch of local favorites, a couple of people not doing traditional stand up, a repeat nominee.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, the man who hosted my first gig. [Vaughn King] The standard is really high this year.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">See the international shows, but if you take 200 dollars you can see a heap of really good gigs. Three internationals, two locals. The standard for the Billy Ts are really high. Rhys Mathewson had a show last year called the Best 18 Dollars You’ll ever Spend, the guy is like 18, 19 years old he’s amazing.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>SANDO</p>
<p><span style="font-weight: normal;">It’s scary watching how he’s emerged this year as a comedy legend. He’s done an advert series.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, that shapes thing</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">And he’s cut his hair which makes him look.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Like a lesbian.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah?</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">That might be unP.C To say in your namby pamby liberal Salient magazine/web site Like a lesbian.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">It’ll bring the hits. Actually it’s a bit weird how we can watch satire being brought and then totally destroyed in New Zealand, and Salient. Recently there was a cartoon that had a veiled reference to rape that caused the blogosphere to implode.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I thought, that was the motto of Vicotria University ‘a veiled reference to Rape.’ To be fair, when you have a University on a hill that can only be accessed by a series of really dimly lit wooded pathways it’s your own fault&#8230; for the name.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Oh god, this is going online. I am so sorry Vic’s Women&#8217;s group.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Take that Victoria University. I myself am an ex student there &#8211; I took first year four times, but what can I say, there’s a bar and the bar opens at noon and classes started at one. What are you going to do?</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">So, you’re intelligent but don’t have a university degree.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;"><strong>TJ </strong></span></p>
<p><span style="font-weight: normal;"><strong> </strong>I do not. I consistently failed at any kind of University career.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">So, what career wise?</span></p>
<p><span style="font-weight: normal;"><strong>TJ </strong></span></p>
<p><span style="font-weight: normal;"><strong> </strong>Well, the comedy festival starts and then once May’s over, I am going to back pack around the States for at least three months. Maybe get some shows over there. I have a gig lined up in LA, maybe some in Philadelphia, New York.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Showcase towns. Are you going to try the magic ten gigs one night New York experience?</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Oh, if I can I will.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">It’s a different comedy world in the states.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Not that different. One of the ways you can tell, is that you get American tourists coming over here and seeing shows and having a good time. People say all sorts of things, American comedy is more broad, but comedy is comedy where ever you go. But there is just more of it in America or Britain than there is in New Zealand. What you’re seeing is the same kind of people doing the same kind of jokes, just on a larger scale.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">More of an industry pressure.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, and there are so more many places you can go. If you’re a successful comedian in America then you can ppotentially do a TV show/special, while if you are a successful comedian in New Zealand some people might know who you are. Maybe. Let’s not bash the New Zealand comedy industry, there are a lot of great people, a lot of great comics.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">And if we do really well, we can become radio DJs.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Or get on Welcome to Paradise. Look, Seven Days is a really great example of where the New Zealand industry is going, it’s a great show. And it’s a show that we have needed for a really long time. We have had the talent to do that for ages, all it takes is executives to get over the cultural cringe of New Zealand comedy and forgetting about the fact that Melody Rules was awful and Welcome to Paradise was awful. Seven Periods with Mr. Gormsby was fine, and McPhail and Gadsby were fantastic. We’ve got a lot of great comics with stuff to say, and Seven Days is a vehicle for that.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">So, satire, overt political comedy. There is actually a place for it in New Zealand?</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Did you say overt political comedy?</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I think so.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I find it hard to compartmentalise styles and types, I think there is definitely a place for it, but it goes back to is it funny? It doesn’t matter what your jokes about or how you put it out there, if its a TV show or stand up. No one knows what makes funny. No one has made a successful career based on a book they read about how to do jokes. As long as we have Rodney Hyde and Winston Peters as people in this country, political satire is something we desperately need.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">April 9th, it was a Friday.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Last Friday&#8230; That was a fun gig.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yes, it was. Did Jemaine [Clement] or Brett [McKensie] have a drink and if so did they like it?</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Did they have a drink?</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">This is the sort of Flight of the Conchords tabloid gossip our readers need.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">(laugh)</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I really didn’t pay close attention to their beverage consumption over the evening. God damn it Sando, what are you on? They seemed to have a good time, it was a fantastic gig. Without getting gushy, they are great people. They snuck into the back of this show and headlined the hell out of it. It was an amazing gig.  We were all just happy to be a 135 fans watching these guys play who are about to go off and play Wembley. Personally it was a cathartic moment for me, as I opened a gig that they did in 2005. I didn’t do very well, and they were very kind but I clearly brought the audience right down before they came on. So, I emceed the show they did on Friday and the Audience had a very good time, it really felt like I’d made up for it. Made up for one of my weaker comedic memories.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">You’re a different edition or part of a different cohort of New Zealand comedy. They came up in the early naughties, Ewan Gilmore had his heyday in the late 90’s&#8230;</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Yeah, I am a part of a comedy generation that is lucky because there is an industry there now.  An industry that’s been forged by these guys, by Ewan Gilmore Brendan Lovegrove, Jeremy Elwood, Dai Henwood, and even Mike King. Going as far back to Billy T.. James. Even people who you might not know of like Scott Blanks, up in Auckland or down here with Derek Flores. Everyone who is involved in the Comedy Festival, the Wellington producer Zelda is fantastic. It feels like they had to forge the trail, not just do comedy but find places to do comedy, to make it happen. We now can walk in those footsteps. There are gigs that we can work at. We don’t have to convince a bar to let us do it in the first place. So, I am really thankful for that.</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Beautiful</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Did you call me beautiful?</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Erm&#8230; yes?</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I have a girlfriend. I’ll just put that out now.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Speaking of which&#8230; She’s pretty talented that Jim Stanton, (of the Comedediettes) is onto it, known for her terminal accuracy.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">She’s part of a double act with Sarah Harpur they had a sold out Wellington Fringe, went to Adelaide, Dunedin. It’s a fantastic show. It also defeats the cultural cringe about not just New Zealand Comedy, that’s still lingering, if you’ve ever read a review by Simon Sweetman you’ll know it’s still there. There’s also that ‘women can’t do comedy’ and if you go to any comedy night in Wellington, anywhere at all, there as many female comics as male comics on the bill. Cruzanne McCallistair, Jim Stanton Sarah Harpur, the Little Moustache Trio and in the improv scene&#8230;</span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">Ridiculous amounts.</span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">I hate the cliche, can’t believe it still exists.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">SANDO</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">What I find weird is even once that’s gone there’s this entire ‘Oh no, it’s Jan Marie, she’s going to talk about hoary old vaginas.’ Which is nonsense if you’ve seen a Jan Marie show.</span></p>
<p><span style="font-weight: normal;"> </span></p>
<p>TJ</p>
<p><span style="font-weight: normal;"> </span></p>
<p><span style="font-weight: normal;">It’s nonsense, if you look at Vaughan King, a fellow billy T. nominee this year, no one realises that he makes a lot of cock jokes. He makes them fantastically well. You can talk about. Politics,art, that things are different in America than they are in the rest of the world. You can talk about knob gags or your vagina, what ever. If it’s a funny joke it’s a funny joke.</span></p>
<p></strong></p>
<p></span></div>
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		<title>Score: A Night of Musical Comedy</title>
		<link>http://thesando.com/2010/04/score-a-night-of-musical-comedy/</link>
		<comments>http://thesando.com/2010/04/score-a-night-of-musical-comedy/#comments</comments>
		<pubDate>Mon, 12 Apr 2010 05:22:16 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[comedy secrets]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=316</guid>
		<description><![CDATA[


Score: A Night of Musical Comedy, or as the Dominion Post called it “that show what had that Flight of the Conchords surprise gig”, was surprisingly a night of kiwi comedy song. Emceed  by comedy duo The Lemon Barley Trio: 2010 Billy T Nominee  T.J. McDonald and that Indian guy from the Fatso [...]]]></description>
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<div>
<p><span style="font-family: Times New Roman; font-size: small;"><img class="alignleft" src="http://i161.photobucket.com/albums/t221/allmosttt1/Flight_of_the_Conchords2-bio.jpg" alt="" width="257" height="247" /></span></p>
<p>Score: A Night of Musical Comedy, or as the Dominion Post called it “that show what had that Flight of the Conchords surprise gig”, was surprisingly a night of kiwi comedy song. Emceed  by comedy duo The Lemon Barley Trio: 2010 Billy T Nominee  T.J. McDonald and that Indian guy from the Fatso adverts Jerome Chandrahasen. Daniel McClelland, Robbie Ellis, Matt Mulholland, Gabe Page, and (“secretly”) the Flight of the Conchords were on the bill.</p>
<p><span id="more-316"></span></p>
<p>Unsurprisingly, the Fringe Bar was packed, and twenty minutes till show time, the line to enter the gig stretched  around the block. As a cock, I&#8217;ll not deign to comment as to why that was, but to quote the Fringe Bar&#8217;s entertainment manager Derek Flores “the Fringe Bar can always guarantee the best in NZ comedy week after week. Last night [April 9th] was no different.”</p>
<p>There is a fair bit of negativity towards comic music from those who are into stand-up. There are bitter accusations of it being easier to milk a bit (make a joke last longer than it needs to); that music with comedy is just gimmickry; and that audiences have been conditioned Pavlovian style to clap, cheer and such after every song. To be fair, those statements are largely correct, excluding the gimmickry, but that doesn&#8217;t mean that comic song should be derided; it&#8217;s a different art form that just happens to share the same stages as stand up. The repeated chorus in Gabriel Page&#8217;s It&#8217;s Tough Living With You When You&#8217;re Not Living With Me isn&#8217;t so much easy padding, as a reassuring  lull in what is otherwise a very dark (brilliant) song. See Page in &#8216;L is for Love and Love is For Losers&#8217; in the NZ Comedy Festival, it&#8217;ll be worth it.</p>
<p>The Lemon Barley Trio were an odd choice to compere the night, as the duo&#8217;s downbeat and soft spoken persona is antithetical to what a regular comedy night requires from an emcee, &#8211; a person who can wake up the often frigid kiwi audience. It did work though, as it seems the soothing comic experience was useful unifying measure to keep the different musical voices from becoming disjointed.</p>
<p>Daniel McClelland, the opening act, played an almost entirely new, as in written that week, set with a great urgency; very fresh and biting. It&#8217;s obvious that this fervour with which he plays is a fundamental to him as a musician, which is actually a bit disappointing as his best piece, and possibly the best piece of the night was a slow and thoughtful song where he recited the IMDB censorship notes of the top films of 2010.  Also frustrating was how the content of his last song was lost or muddied in his excess of energy. Ironically I think the song was about making political point.  Listen to his From Berhampore To The Hutt:<a href="http://www.youtube.com/watch?v=BGgeznzQf8k">From Berhampore to the Hutt</a></p>
<p>There are different stresses at play with musical comedy vs stand up: I can happily listen to an hour of one-liners slung by Steven Wright but can&#8217;t do more than twenty minutes of Tim Minchin&#8217;s pop-rock. His musical sameness is wearisome. Part of the joy of Score was hearing so many musical tropes from so many different performers. Hearing Robbie Ellis jump from an acoustic Billy Bragg style piece about Wellington J-Walking to Frank Sinatra&#8217;s “New York New York” reworked into a pointed attack against the “Wellywood” sign. It was an accomplished piece of song and satire, a pity that the NZ Comedy Guild refuses parody songsters eligibility for a Billy T nominee, and as Benjamin Crellin proved, even throbbingly good satire doesn&#8217;t win you one either. Tough luck Robbie. See Ellis&#8217;s Bus Route Through My Heart music video <a href="http://www.youtube.com/watch?v=z6f5rfuVzrI">watch?v=z6f5rfuVzrI</a></p>
<p>Musicianship in comic song can be at its most powerful when used to in an ironic mode. Score  illustrated that to make a comedy song, you couldn&#8217;t go wrong with a well made generic pastiche welded to an incongruous subject.  This is a big component of Mullholland, Ellis&#8217; and the Flight of the Conchords acts.  Page and McClleland chose to stay in their respective genres of Love Ballads and&#8230; acoustic rage rock? But exploited those genres on a deeper level than just pastiche. You could feel sadness and resignation radiating off of Page at times, in fact it was rather refreshing.</p>
<p>Victoria School of Music graduate Matt Mulholland had the most polished set of the night, which wasn&#8217;t surprising as every song was from his Toilet Secrets LP; something which I&#8217;ve owned since at least the autumn of &#8216;08. Sometimes I stroke the disc and think of his side burns.  The lack of new material didn&#8217;t bother me as there is a slick professionalism to Mulholland&#8217;s live act that you can&#8217;t access with his album. It&#8217;s that easy, almost lazy control of the audience coupled with his strong musical ability that made Chicken For Love my song of the night. <a href="http://www.mattmulholland.co.nz/Matt_Mulholland_&amp;_The_Tail_Whips/chicken_for_love.html">Chicken For Love &#8211; Matt Mullholland</a></p>
<p>I am going to discuss the Flight of The Conchords now. To be straight with you, their set felt like a different  gig to the rest of the night. Every other act had to prove themselves against the spectre of  the duo&#8217;s rumoured appearance, and they did well as the line up was unusually exceptional.  Many people had obviously never been to live comedy before, and were intoxicated with it (and alcohol.)  I hope that they come back now that they have seen proof that the Conchords don&#8217;t exist in a vacuum.</p>
<p>Okay, okay, Conchords.</p>
<p>The Dominion Post&#8217;s write http://tiny.cc/5yzfu had their part of the summed up nicely. When the Conchords came on, we were just “135 lucky fans” watching the only genuine international kiwi stars of our generation, and we loved them.  For 12NZD we got to see what people are paying scalpers 200GBP  (approx 434.40NZD) for. For the record, their set was a mix of their material found on Flight of the Conchords and I Told You I Was Freaky, consisting of  The Most Beautiful Girl in the Room, I told you I was Freaky, Carol Brown and Bus Driver&#8217;s Song.</p>
<p>The lads were sloppy after about a year of not playing with each other. Jemaine Clement struggled to sing and play his bass strung electric acoustic ukulele at the same time and they had major technical issues caused in part by the Fringe Bars infamous shitty left side mic, and in part by Jemaine not understanding how to do his own tech. Who cares though? Their mucking about made them more endearing, they bantered with the audience, smiled and had a bit of false bravado when dealing with a heckler, a woman many hated from the moment she opened her foreign gob. What can I say? New Zealand can be xenophobic and she was attacking our band. Well, we were their audience but same diff&#8217; right?</p>
<p>“Yeah, good on ya.” -Bus Drivers Song.</p>
</div>
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		<title>The Oscars will be on NZ Television</title>
		<link>http://thesando.com/2010/03/the-oscars-will-be-on-nz-television/</link>
		<comments>http://thesando.com/2010/03/the-oscars-will-be-on-nz-television/#comments</comments>
		<pubDate>Sun, 07 Mar 2010 01:40:05 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[NZ]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[New Zealand Television]]></category>
		<category><![CDATA[Oscars]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=314</guid>
		<description><![CDATA[Hi guys,  it&#8217;s almost impossible to find any information on which New Zealand channel is showing the 2010 Oscars Monday the 8th of March.  It seems Stuff and TVNZ have gone out of their way not to tell their viewers who will presumably passively read their Live Blogs. Here are some cold hard programming facts:
The [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://en.wikipedia.org/wiki/File:Academy_Awards_1988.jpg"><img class="alignleft" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/88/Academy_Awards_1988.jpg/220px-Academy_Awards_1988.jpg" alt="Hey its an image from wikipedia! Check out the link for rights details." width="152" height="230" /></a>Hi guys,  it&#8217;s almost impossible to find any information on which New Zealand channel is showing the 2010 Oscars Monday the 8th of March.  It seems Stuff and TVNZ have gone out of their way not to tell their viewers who will presumably passively read their Live Blogs. Here are some cold hard programming facts:</p>
<p>The 82nd Academy Awards are being played on <a href="http://www.skytv.co.nz/Default.aspx?tabid=1228">Sky Movies</a> at 2pm with a replay on the 14th of March at 3.30pm.</p>
<p>There you go internet users of Aotearoa New Zealand.  Enjoy!</p>
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		<title>Section 92a has risen like a zombie again.</title>
		<link>http://thesando.com/2009/12/section-92a-has-risen-like-a-zombie-again/</link>
		<comments>http://thesando.com/2009/12/section-92a-has-risen-like-a-zombie-again/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 10:43:16 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=304</guid>
		<description><![CDATA[Today the New Zealand government revealed the revamp of Section 92a of the Copyright law. Today was also the same day as they formally shut Parliament down for the year.
I must admit, the new law ever so slightly better than what was on the table before. Instead of losing your right to internet access for [...]]]></description>
			<content:encoded><![CDATA[<p>Today the New Zealand government revealed the <a href="http://www.stuff.co.nz/technology/digital-living/3167690/Govt-reveals-revamped-Section-92A">revamp of Section 92a </a>of the Copyright law. Today was also the same day as they formally shut Parliament down for the year.</p>
<p>I must admit, the new law ever so slightly better than what was on the table before. Instead of losing your right to internet access for life, it&#8217;s only for six months&#8230; or you could pay a miniscule 15,000 dollar slap on the wrist. That&#8217;s really a just slap on the hand, right? Not at all excessive. No sir.</p>
<p>Three strikes is back, and the article is murky about whether the ISP&#8217;s are actually going to be forced to police things, but that&#8217;s still very probable.</p>
<p>Journo the first journalist claims that we should always end a story with an arbitrary summation of why our opinions could be wrong, so here&#8217;s a a little sliver of hope.</p>
<p>After reading &#8220;Account holders will be able to issue counter notices, and can request a hearing if they feel they should not be penalised,&#8221; seems like it could actually give some saftey back to NZ netzians if Section 92a passes again.</p>
<p>Also, boo urns to Australia ramping up their attempt at <a href="http://www.heraldsun.com.au/news/national/government-pushes-forward-with-internet-filtering/story-e6 frf7l6-1225810826659?from=public_rss">filtering  the internet</a>. I&#8217;m sure this won&#8217;t affect New Zealand at all, our internet &#8220;tubes&#8221; aren&#8217;t tied to Australia&#8217;s information spaghetti <em>at all.</em></p>
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		<title>&#8230;The Internet!</title>
		<link>http://thesando.com/2009/05/the-internet/</link>
		<comments>http://thesando.com/2009/05/the-internet/#comments</comments>
		<pubDate>Sat, 16 May 2009 05:40:38 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[Sando comic]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[comedy secrets]]></category>
		<category><![CDATA[Comix]]></category>
		<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[Dylan Horrocks]]></category>
		<category><![CDATA[Nic Sando]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[Section 92a]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=295</guid>
		<description><![CDATA[
I&#8217;ve been making a bunch of remix comics based on the Section 92a cartoon by New Zealand&#8217;s gift to comix, Dylan Horrocks
Here&#8217;s some  of them.






Yeah, that&#8217;s that for that lot. 
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			<content:encoded><![CDATA[<p><img class="alignnone" src="http://thesando.com/images/horrocksremix/secret.png" alt="" width="504" height="267" /></p>
<p>I&#8217;ve been making a bunch of remix comics based on the <a href="http://creativefreedom.org.nz/s92-comic.html">Section 92a cartoon </a>by New Zealand&#8217;s gift to comix, <a href="http://hicksvillecomics.com/">Dylan Horrocks</a></p>
<p>Here&#8217;s some  of them.</p>
<p><span id="more-295"></span><img class="alignnone" title="two girls one remix" src="http://thesando.com/images/horrocksremix/twogirls.png" alt="" width="504" height="267" /><img class="alignnone" src="http://thesando.com/images/horrocksremix/furry.png" alt="" width="630" height="334" /></p>
<p><img class="alignnone" src="http://thesando.com/images/horrocksremix/newmummy.png" alt="" width="630" height="334" /></p>
<p><img src="http://thesando.com/images/horrocksremix/booby.png" alt="Ooh, it's painful because that's me." /></p>
<p><img class="alignnone" src="http://thesando.com/images/horrocksremix/blackface.png" alt="" width="630" height="334" /><br />
<img src="http://thesando.com/images/horrocksremix/waterboarded.png" alt="" /></p>
<p><img src="http://thesando.com/images/horrocksremix/SMUG.png" alt="" /></p>
<p>Yeah, that&#8217;s that for that lot. </p>
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		<title>Why Emissary uses that Creative Commons thing</title>
		<link>http://thesando.com/2009/05/why-emissary-uses-that-creative-commons-thing/</link>
		<comments>http://thesando.com/2009/05/why-emissary-uses-that-creative-commons-thing/#comments</comments>
		<pubDate>Sat, 16 May 2009 05:04:08 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[Emissary]]></category>
		<category><![CDATA[NZ]]></category>
		<category><![CDATA[Show Design]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[boot legging]]></category>
		<category><![CDATA[copyfight]]></category>
		<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[fair use]]></category>
		<category><![CDATA[Happy Bar]]></category>
		<category><![CDATA[New Zealand Comedy]]></category>
		<category><![CDATA[New Zealand International Comedy Festival]]></category>
		<category><![CDATA[Nic Sando]]></category>
		<category><![CDATA[Section 92a]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=288</guid>
		<description><![CDATA[On Wednesday I get to take down the sign at HAPPY Bar that says &#8220;All recording is prohibited&#8221; for an entire hour. It&#8217;s terribly exciting as any large festival, like The New Zealand  International Comedy Festival, that has a lot of media coverage tends to have fairly restrictive conditions surrounding what can and can&#8217;t [...]]]></description>
			<content:encoded><![CDATA[<p><strong><img class="alignleft" title="The Owl stalked me and knew that I secretly loved every moment." src="http://thesando.com/images/sandoorlyweb.jpg" alt="" width="249" height="396" />On Wednesday I get to take down the sign at HAPPY Bar that says &#8220;All recording is prohibited&#8221; for an entire hour. </strong>It&#8217;s terribly exciting as any large festival, like The New Zealand  International Comedy Festival, that has a lot of media coverage tends to have fairly restrictive conditions surrounding what can and can&#8217;t be done in regards to performances under their control. Thankfully after some discussion with the Comedy Festival people, I was given the permission to go ahead and release my multimedia sketch show <a href="http://comedyfestival.co.nz/wellington/show/emissary">Emissary </a> as a Creative Commons document, (specifically the Creative Commons Attribution-Non-Commercial-Share Alike 3.0 New Zealand License) and allow my audience to record my stuff for their further remixing pleasure. So yeah, I&#8217;m pretty stoked that Emissary is the first show to be released under the Creative Commons license in the seventeen year run that the Comedy Festival has had. </p>
<p>The reasons why I want to release Emissary are pretty varied, but there are a couple of pretty big reasons:</p>
<p>1. Emissary is about the internet, and how I am part of it. Morally I couldn&#8217;t just riff on the internet without saying it was okay for other people to do the same. Well, I could, but that would be a dick move.</p>
<p>2. I want people to feel like they have a measure of ownership over the satire and amusement that was produced for them, and I want them to feel like they can use it, that they can share it and that they can build upon it. You buy access to an event with a ticket, you should be allowed to have a record of it under your own control too.</p>
<p>3. Remember Section 92a of the Copyright Act? I had started piecing together the show when the Labour Government had just flagrantly lied that the public had not bothered to consult with them on the bill. I was still writing it when <a href="http://www.scoop.co.nz/stories/HL0902/S00338.htm">the protest </a>at the Bee Hive happened because the new government were just as asinine as the last. Possibly more so. That got me steamed, and I realised that if I didn&#8217;t actually step up and release my stuff in a way that allowed others the same rights that I desperately wanted, I would be at the mercy of what ever small to middle sized industries (like a teen with a bottle of scrumpy, it don&#8217;t take much) bought out New Zealand politics. The license is a toasty little jacket that keeps me from freezing in the open air of the public domain and suffering heat stroke inside copyright.</p>
<p>4. Some of what I&#8217;m doing is satire. New Zealand is no Guatemala, where you can be thrown into jail for a <a href="http://www.guardian.co.uk/world/2009/may/15/guatemala-twitter-jean-anleu-fernandez">twit </a> or seditious Youtube video and I&#8217;m no Jonathan Swift, but gosh darn it we kiwis have a healthy respect for the law. This way if one of my ideas takes off the other nerdly and diligent kiwis will be able to share the idea, and an idea can only grow if people have access to it.</p>
<p>And that&#8217;s why I use that Creative Commons thing for Emissary.<br />
</p>
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		<title>Pie face photo essay</title>
		<link>http://thesando.com/2009/05/pie-face-photo-essay/</link>
		<comments>http://thesando.com/2009/05/pie-face-photo-essay/#comments</comments>
		<pubDate>Sun, 10 May 2009 22:20:30 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=284</guid>
		<description><![CDATA[
For National Pie in the face day, myself, my visual biographer (David Coyle) and Doctor Matthew Arrowsmith tested which pies were best for getting in the face. What I discovered actually shocked me. Because the traditional cream pie was actually incredibly nasty. Getting hit with one of those lactic bombs was enough to destroy me [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" title="Pie in the face photo essay" src="http://thesando.com/images/piephoto%20essaywebjpg.jpg" alt="" width="496" height="378" /><br />
For National Pie in the face day, myself, my visual biographer (David Coyle) and Doctor Matthew Arrowsmith tested which pies were best for getting in the face. What I discovered actually shocked me. Because the traditional cream pie was actually incredibly nasty. Getting hit with one of those lactic bombs was enough to destroy me for half an hour. A shaving cream pie was effective enough, but god, it burnt my eyes. One time my little brother sprayed rexona 24 hour anti persperant into my eyes, I remember trying to wash it out of my eyes, and having clumps fall out of them. TO be fair, it wasn&#8217;t as painful as the deoderant day, but still&#8230; not too pleasant.</p>
<p>What you are seeing in the photo is a steak and cheese pie test. Make sure that you cool your pie down somewhat otherwise you will scald your face. I&#8217;d suggest if you are to be using a meat pie, that you make sure it&#8217;s a well known brand, like Mrs Mac&#8217;s or Hangi in a Pie. They seem to have more disturbing texture to them, and it makes the pied question, just for a second, that maybe their face has exploded. That&#8217;s the sort of fear I am after.</p>
<p><a href="http://premier.ticketek.co.nz/shows/show.aspx?sh=NICSANDO09&amp;searchId=a74a8c34-277e-. 4539-ad71-a1075076fee7">Emissary tickets can be bought here.</a> It will be a fun night</p>
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		<title>Debbies Guide to the internet pt1.</title>
		<link>http://thesando.com/2009/05/debbies-guide-to-the-internet-pt1/</link>
		<comments>http://thesando.com/2009/05/debbies-guide-to-the-internet-pt1/#comments</comments>
		<pubDate>Fri, 08 May 2009 11:28:03 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=282</guid>
		<description><![CDATA[Hopefully this will advertise my show.

Oh that Debbie. She is in no way based on anybody I know or am related to Chris Sando.
So, yeah, my show opens in less than two weeks. Am I pooping myself? You bet your diarrheatic ass I am.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://premier.ticketek.co.nz/shows/show.aspx?sh=NICSANDO09&amp;searchId=a74a8c34-277e-4539-ad71-a1075076fee7">Hopefully this will advertise my show.</a></p>
<p><object width="425" height="344" data="http://www.youtube.com/v/DWRuCeZtRhY&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/DWRuCeZtRhY&amp;hl=en&amp;fs=1" /><param name="allowfullscreen" value="true" /></object></p>
<p>Oh that Debbie. She is in no way based on anybody I know or am related to <em>Chris Sando</em>.</p>
<p>So, yeah, my show opens in less than two weeks. Am I pooping myself? You bet your diarrheatic ass I am.</p>
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		<title>How to make Sushi Pie</title>
		<link>http://thesando.com/2009/05/how-to-make-sushi-pie/</link>
		<comments>http://thesando.com/2009/05/how-to-make-sushi-pie/#comments</comments>
		<pubDate>Sun, 03 May 2009 03:00:48 +0000</pubDate>
		<dc:creator>Sando</dc:creator>
				<category><![CDATA[Emissary]]></category>
		<category><![CDATA[Show Design]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[pie]]></category>

		<guid isPermaLink="false">http://thesando.com/?p=277</guid>
		<description><![CDATA[Here we go: A quick no nonsense visual diagram of how to create Sushi Pie, one of the many valuable flavours of pie that was utilised in National Pie in the Face Day.
The Comedy Festival opens this week, tickets to my show are located here.
Remember, Emissary is creative commons, like this site and every thing [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" src="http://thesando.com/images/sushipieweb.jpg" alt="" width="446" height="314" />Here we go: A quick no nonsense visual diagram of how to create Sushi Pie, one of the many valuable flavours of pie that was utilised in National Pie in the Face Day.</p>
<p><a href="http://premier.ticketek.co.nz/shows/show.aspx?sh=NICSANDO09&amp;searchId=a74a8c34-277e-4539-ad71-a1075076fee7">The Comedy Festival opens this week, tickets to my show are located here.</a></p>
<p>Remember, Emissary is creative commons, like this site and every thing in it, feel free to boot leg it.</p>
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